21 Jun 2008
The garden as an unexpected proposition
A garden is a closed space, in which we realize our beliefs in and our visions of social and natural ideal(s). It is an island, not a fathomless place such as utopia. The garden is a showcase space, 1:1 implemented in the ground. It does not separate imagination from reality. A garden needs walls for its protection.
The Villa Romana garden has for the most part taken shape over the last 30 years. Different zones were created on the 15,000 meters square area of land, niches were created and personal dedications were installed in order to celebrate visions of a bohemian life. Although the Villa Romana building was extensively restored in 2006/2007, the structure and furniture of the garden has remained untouched until now.
With the RURAL DELIGHTS project, Villa Romana raises the question of how to use and design the garden of a contemporary artists’ residence. Inviting the Berlin sculptor, Kai Schiemenz, is a first initiative for adoption and public discussion.
RURAL DELIGHTS renegotiates the garden as an area of social and political actions. On the garden’s upper slope is a meadow, surrounded by neighbouring buildings. Here Kai Schiemenz has placed his plywood structure, which paraphrases a type of gazebo, such as can be found in parks and public sites and which is usually free standing and shade producing. Kai Schiemenz uses the ornamental qualities of this classical piece of garden architecture and its function as place of shelter for small and large groups. The structure of his sculpture, which is accessible from all sides, serves as a testing ground for discussions, performances and film showings… It is a matter of designing a public area and the dimensions of producing and relaying knowledge.
The first garden forum starts on 21 June. Architects, sociologists, dancers and film producers from Germany and Italy are invited to the evening to present their work (see below for programme). During the summer, other actors will use Kai Schiemenz’s Archisculpture. The Italian curator Lorenzo Bruni is preparing two project weekends, in co-operation with artists from the regional and international scene, with the title Noi adesso siamo qua.
The sculptor Kai Schiemenz, who lives in Berlin (born 1966 in Erfurt), works with plastic space models. For some years, his research has been directed at areas of social organization and projection. A prototype of this is the stadium. Kai Schiemenz has collected an extensive atlas of pictures on the archaeology of the stadium from the ancient arena to the mass-medial container, excerpts of which are exhibited in Villa Romana.
"Since the beginning of that which in art is generally called the modern trend, the most important thing has almost exclusively been to clarify the complex problem in the conflicting areas of physiology, philosophy and history of art, which is how the view and the picture come together in the actual space. To put it bluntly, one could claim that the task of art in the age of mass media is the socialization of seeing and hearing. Galleries are usually the places where this is made possible these days, as well as in archives and museums. In the past on the other hand, it was in places of ritual such as churches, fairs or sports stadiums. Since that time (by means of installations and staged exhibition concepts), galleries and museums have confirmed their status as particularly entertaining places, which not only stand outside of everyday life, but also offer unusual experiences. Beat Wyss has described, somewhat polemically, the observer of these productions - one is inclined to call him a user - as a completely crazy peeping Tom. Kai Schiemenz operates on the ruins of this staginess as it were, by building architectures/sculptures, which create a view and a display in equal measure"
In the garden of Villa Romana, Kai Schiemenz has realised a work several meters high consisting of two formal levels: a layered and tilted ground architecture (which calls to mind stage elements as well as the ice floes in Caspar David Friedrich’s painting) and semi-circles rising upwards, whose fragmented technical construction takes up the idea of the Disegno as well as the dynamics of a rollercoaster. The sculpture signifies a virtual area and an actual place..
Kai Schiemenz studied at the Berlin University of the Arts with Lothar Baumgarten. He has exhibited internationally since the 90's, in connection with the following exhibitions amongst others: Sculpture Quadrennial Riga (2008); Ideal Cities - Invisible Cities, Zamosz/Potsdam (2006); Wittgenstein in New York - City and architecture in the new art on paper, Kupferstichkabinett Berlin (2006); Critical societies, Baden Art Association, Karlsruhe; Urban Creatures, Pori/Finland (2006), Kappatos Gallery, Athens/Greece (2006); New Berlin Art Association (2005), Demokratie üben (Practice Democracy), Westphalian Art Association Münster (2005). Kai Schiemenz was the Artist in Residence at the at the Monash University, Melbourne (2008) and at the Villa Aurora, Los Angeles (2005).
The garden as an unexpected proposition
Saturday 21 June, 6pm – 12am
in the garden of Villa Romana
DANCING QUEEN MEETS WALKMANWORDS
Sandra Bartoli und Stefan Schreck
KLEINE TYPOLOGIE DES GARTENS - LICHTBILDGESTÜTZT
(Small typology of garden – supported by photos)
Minze Tummescheit, Arne Hector
IN ARBEIT / LAVORI IN CORSO / EN CONSTRUCTION / W TOKU
A series of interviews on film
Rosa Barba, OUTWARDLY FROM EARTHS CENTER, 2007
and much more.
Peter Pleyer, artistic director of the Berlin dance days since 2007. After some years as an actor in the German speech theatre, Peter Pleyer studied dance at the European Dance Development Center at the academy of art in Arnhem, the Netherlands. He worked as a dancer and choreographic assistant with Yoschiko Chuma in New York and Mark Tompkins in Paris and, since his period of study with the Hungarian dancer Eszter Gal. Joint choreographies and improvisations have been shown in Holland, Germany, France and Hungary as well as at the New York improvisation festival. He teaches at various dance festivals in Europe and has helped to create higher education courses for contemporary dance in Berlin.
Sandra Bartoli, born 1967 in Cortina d' Ampezzo, lives and works in Berlin. She studied architecture and landscape architecture and is the co-founder of Terraform with Andreas Ziegeler. Together with Silvan Linden, she created the Büro für Konstruktivismus in 2006. The office publishes the magazine Die Planung / A Terv (with Martin Conrads, Levente Polyák and Katarina Šević) as well as the publication Kristalle (published in the disko series of publications of the Nuremberg Academy of Fine Arts).
Stefan Schreck, born 1968 in Cologne, studied journalism and German studies in Cologne, Düsseldorf and Berlin. He is the co-founder of the (net) radio collective convex tv by mikro e.V. - an association to support media cultures and of the edit suisse group. Since 1995 he has worked as a freelance sound designer, author, data base developer, web designer and web programmer in Berlin.
Helmut Höge, born 1947, worked first as an interpreter in the US Air Force and for an Indian animal dealer, then studied social sciences in Berlin, Bremen and Paris. He subsequently worked as a farmhand on various farms in West and East Germany as well as in Italy and in addition he began to work in journalism. Since 1986, he has earned his money through journalism. Finally, the following were released by him: Neurosibirsk (publishing house Peter Engstler, Ostheim/Rhön 2006) and WPP - Wölfe Partisane Prostituierte (Wolves partisans prostitute) (cultural publishing house Kadmos, Berlin 2007). An essay collection is in preparation with the title Anti- Darwin (together with Peter Berz and Cord Riechelmann as editors) as well as a book about agriculture and farmers.
Minze Tummescheit and Arne Hector work together as cinéma copains on the production of documentary films. The focus of their interest is humans in the context of their social and economic conditions. Between 2000 and 2004, the film Jarmark Europa was made, which premiered in the forum program of the Berlinale 2004 and was shown among other places at the exhibition Steps for the Flight from Labor to Doing in the Museum Ludwig. At present, the cinéma copains are working on the production of in arbeit/lavori in corso/en construction/w toku, a series of interviews on film, which explore the possibilities and conditions of working collaboratively and the adaptability of social actions.